• finding arts & crafts in unexpected places

    One thing we talk about regularly is finding Arts & Crafts vernacular in what can only be called unexpected places. Sometimes the use might be inappropriate but still well-executed; sometimes neither. Reader Jean Emery wrote to tell us about her own experience at finding Spanish Colonial architecture in the last place you’d expect – upstate New York:

    This is a visual response to the post about transplanting or recreating the arts and crafts vernacular. I hope this picture comes through. I’m a fourth generation San Diegan transplanted to upstate New York and I’ve always taken a great interest in a group of about twenty or so Spanish colonial homes built in Albany, probably in the 1920s or so. They’re so California!  But, as you can see, they haven’t fared very well here. I would love to buy one, but they generally are in pretty poor shape, have been terribly re-muddled. The stucco doesn’t take well to repeated freezing and thawing, and the original windows weren’t at all energy efficient so have been replaced with ugly double-panes.

    Also, the new Stickley arts and crafts reproductions are big here in town because we’re near the manufacturer in Syracuse, but they just don’t have the soul and the patina of the originals. And American Bungalow has recently had some vulgar, expensive houses with customized woodwork run amuck!

    I’m not really sure what the moral of all this is. I do love these bits of Mediterrean architecture plunked down in the snow belt!

    Jean notes that one such home – 17 Rosemont Street in Albany (pics) – is for sale at an asking price of $178,900.

    Thanks for sharing these, Jean. We do love to see this kind of thing, so if other readers have pictures to share, please do send them in!

  • Arts & Crafts gems shine in Berkeley’s velvet hills

    I was going through SFGate.com’s home section archive and found this great piece by R.W. Apple, Jr. (the New York Times‘ architecture critic), originally published in that paper in 2003:

    "Westward the course of empire takes its way," wrote the 18th century
    Irish philosopher Bishop George Berkeley, so the 19th century founders of a
    little city directly across the bay from San Francisco, almost at the western
    extremity of the American empire, chose to name it after him.

    Many famous men and women have walked its streets — Ernest O. Lawrence,
    the remarkable physicist who invented the cyclotron; Clark Kerr, who helped
    develop the nation’s best statewide system of higher education; Mario Savio,
    the leader of the radical Free Speech Movement during the turbulent 1960s; and
    in our own day Alice Waters, arguably the nation’s greatest restaurateur.

    Another — too little known, at least beyond Northern California — is the
    architect Bernard Maybeck, a precursor of the modern movement like Otto Wagner
    in Vienna, Charles Rennie Mackintosh in Glasgow, Victor Horta in Brussels and
    the brothers Charles and Henry Greene in Pasadena.

    Much that he saw and so brilliantly succeeded in grasping still stands
    today in Berkeley, on and near the campus of UC Berkeley and in the hills
    above it, in the north side neighborhood where Maybeck lived for most of his
    life (1862-1957). More than anyone else, he made Berkeley one of the nation’s
    architectural treasure-troves.

    read the whole thing