a&c movement

  • Green Gables Estate

    Green Gables Estate in Woodside, California, designed by Greene & Greene
    Green Gables Estate in Woodside, California. The 74-acre compound is one of the largest surviving residential commissions associated with Greene & Greene.

    Woodside, California | 1911

    • Architects: Charles Sumner Greene & Henry Mather Greene
    • Style: Arts & Crafts / English Country Estate
    • Completed: 1911
    • Original owner: Mortimer Fleishhacker Sr.
    • Most recent asking price: $110 million (2024)
    • Most recent sale: Approximately $85 million (September 2025)

    If Frank Lloyd Wright sought to reinvent the American middle-class home, Charles and Henry Greene occasionally worked at the opposite end of the spectrum, designing sprawling estates for California’s industrial elite. Few commissions demonstrate that better than Green Gables, the remarkable Woodside estate created for San Francisco businessman Mortimer Fleishhacker Sr.

    Calling Green Gables a “house” barely does it justice. The property encompasses roughly seventy-four acres with multiple residences, formal gardens, barns, recreational buildings, and one of the most extraordinary landscapes ever developed on a private American estate. Although later architects—including William Wurster—contributed additional buildings over the decades, the original Greene & Greene residence remains the artistic heart of the compound.

    Unlike the intimate warmth of Pasadena masterpieces such as the Gamble House, Green Gables reflects the brothers adapting their Arts & Crafts philosophy to a grand country estate. Heavy timber framing, deeply overhanging roofs, handcrafted woodwork, and an extraordinary sensitivity to the surrounding landscape create an estate that feels monumental without becoming ostentatious. The architecture is expansive yet remarkably restrained, relying on natural materials and exquisite craftsmanship rather than decorative excess.

    The estate remained in the Fleishhacker family for more than a century—an almost unheard-of period of continuous ownership for a property of this scale. During those 114 years, successive generations preserved not only the principal residence but also the surrounding landscape that gives the architecture its remarkable sense of place.

    When the property first appeared on the market in 2021 with a reported asking price of approximately $135 million, it immediately became one of the most significant residential listings in California. After being reintroduced at $110 million, Green Gables ultimately changed hands in September 2025 for approximately $85 million, still one of the largest residential sales in Northern California history.

    For students of American architecture, the transaction represented something larger than a luxury real-estate headline. It marked the first transfer of stewardship for one of Greene & Greene’s most ambitious residential commissions after more than a century of single-family ownership—a reminder that even architectural landmarks occasionally begin a new chapter.

    Why it matters: Green Gables demonstrates that Greene & Greene were capable of far more than the celebrated California bungalow. At estate scale, their commitment to craftsmanship, natural materials, and harmonious landscape design produced one of the great country houses of the twentieth century.

    Suggested reading: The estate’s sale attracted international attention because of both its architectural pedigree and its record-setting price, offering a rare glimpse inside one of America’s finest privately owned Arts & Crafts estates.

  • Asilomar restored!

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    Celebrated as Monterey Peninsula's "Refuge by the Sea," Asilomar State Beach and Conference Grounds has been restored to its former glory. Preservation architecture firm, Page & Turnbull, played an important role in the Phoebe Apperson Hearst Social Hall and the Mary Ann Crocker Dining Hall. 

    Phoebe Apperson Hearst Social Hall

    In this building, Page & Turnbull removed alterations that were not agreeable to the original design and restored the configuration of spaces in the building to be as close as possible to Morgan’s original layout, while improving its functionality. Restoring the Registration Area and rebuilding the hall’s historic Tearoom returned a sense of harmony and order to the Social Hall. In replacing the non-original existing flooring in the Social Hall, the size and grain pattern were matched to the original oak strip floors. Highlighting the ceiling structure and illuminating the room’s beautiful redwood trusses are replicas of the original wall sconces and historical chandeliers produced with a lighting manufacturer. Stains and varnishes were tested on the new redwood boards in the walls and, where possible, many of the existing boards were reused and salvaged. 

    Crocker Dining Hall

    In this building, a visual connection was created between the historic dining hall and the servery, and the building’s commercial kitchen was completely renovated. 

    Asilomar Background

    The Pacific Grove retreat was originally designed by Julia Morgan, the first female architect to be licensed in the State of California. The grounds were founded by the YWCA as a young women’s leadership summer camp in 1913 and has been part of the California State Parks system since 1956. A National Historical Landmark, the 100-year-old site features the largest collection of buildings designed by architect Julia Morgan, who embraced the Arts and Crafts Movement. 

    You can learn more and book a room at Asilomar online.

  • Frank Lloyd Wright, cast in stone

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    Frank Lloyd Wright’s shingle, as it were: this is the cast concrete lettering (the etch marks, I am told, come from the form, which was chiseled) advertising FLW’s architectural and design practice in front of the office portion of his home and studio in Oak Park, Illinois.
  • brown shingle, alpenhaus style

    Architektur lp mt house
    This 398-square-meter (approximate 4000 sq ft) German home combines some of the best aspects of the traditional German mountain farmhouse and the Western Stick brown shingle design – so popular in the United States – with modern materials and engineering. Germany’s LP Architektur built it in six months and finished primary construction in 2008.

  • The Craftsman: Almost Every Issue, Now Online

     
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    I've recently been gifted a large archive of every issue (bar two – issues 8 and 9 from the 1916 volume are missing) of Gustav Stickley's The Craftsman, beginning with volume 1, number 1 in October of 1901. I'll be posting one every few days for the coming weeks, starting with the first issue today. 

    Here you go: Volume 1, number 1 of The Craftsman: October 1901 (3 meg PDF)

    Thanks very much to the archival-minded friend – another big fan of the public domain – who passed these on to me!

  • Gustav Stickley library table, from the Metropolitan Museum collection

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    Library table, ca. 1906
    Gustav Stickley (American, 1858–1942); Craftsman Workshops
    Syracuse, New York
    Oak, leather; H. 30 in. (76.2 cm), Diam. 55 in. (139.7 cm)
    Gift of Cyril Farny, in memory of his wife, Phyllis Holt Farny, 1976 (1976.389.1)

    Inspired by William Morris, Gustav Stickley founded The United Crafts
    (later known as Craftsman Workshops) in 1898. Stickley was greatly
    influenced by Ruskin and Morris, his travels to Europe, and important
    contemporary journals such as The Studio and Deutsche Kunst und Dekoration.
    Initially managing the firm as a guild, Stickley participated in
    profit-sharing with his employees, but as the operation grew, regular
    factory standards were implemented. The Craftsman line was introduced
    to the public in 1900. This hexagonal library table is made of oak with
    a leather top ostensibly adhered by overt circular tacks, and utilizes
    visible joinery with tenon-and-key joints. Illustrated in the November
    1902 issue of The Craftsman, the Arts and Crafts periodical
    published by Gustav Stickley between 1901 and 1916, the hexagonal
    library table became a popular item in Stickley’s sales inventory.