• Mendota Mantels in St. Paul, Minnesota

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    Each Mendota mantel – made from antique reclaimed old-growth timbers and "rescued wood" – is unique, and uniquely beautiful. The wood has been salvaged from old barns, mills and warehouses, most built from the mid 19th to early 20th century, and each piece is sculpted with hand tools. Custom carving – like this piece by Jock Holman, on a rescued beam from a Norwegian ship – is available, although much of their work simply celebrates the natural grain and shape of the wood without any additional decoration. They describe the provenance of their materials thus:

    Antique Reclaimed timber mantels are recycled beams that have
    been salvaged from old buildings. They have an estimated age of 300 to
    800+ years. They are antiques. They grew from old growth forests that
    flourished in America through the 1930’s – forests that are now mostly
    gone.

    Our reclaimed timbers were milled into beams in the
    late nineteenth and early twentieth centuries to become mills,
    factories, warehouses, and barns – buildings now being demolished.

    Unlike water-salvaged timbers, our Reclaimed timbers have been air-aging for over 100 years. This slow air-drying enhances color, beauty and character.

    Most importantly, air-dried timbers are more stable and much less
    likely to twist or check (crack). Reclaimed antique timbers are a
    limited resource.

    Our ‘Rescued
    timber mantels are milled from present day trees that have been
    discarded. They are most often logs from urban tree services, storm
    blown trees, or ‘ends’ from logging operations.

    The artisans at Mendota are comfortable working in the Craftsman / Mission Revival style, as in this piece by Dan Guion, just as much as doing much more contemporary-styled work like this backlit mantel made from heart pine reclaimed from Wabasha’s Big Jo Flour Mill. Check out a gallery of their work.

  • Stickley on Craigslist, August 2007

    You know what I hate? People using terms like "Stickley-esque," "Stickley quality" or "Stickley-era" to describe furniture items on Craigslist, to try to get people searching specifically for Stickley items to see their listings. Of course, they also use "Limbert (maybe?)" and "Roycroft-ish" and other misleading terms. Why not simply call it what it is? If the piece is unsigned, just say "unsigned Arts & Crafts era antique rocker, Mission oak finish" – you still get all the search terms in there, lots of people will see it, and you’ll sell your piece just as well without lying.

    That said, after wading through two hundred misleading, incorrect or flat-out lying listings on Craigslist, here are some good deals on Stickley items, both antique and contemporary, all over the country:

    • contemporary Stickley entertainment center – $4000, Lakeport CA
    • similar item to above – $1200, Philadelphia PA
    • contemporary Stickley lamp & coffee tables – $500 / $600, Orange County CA
    • antique Stickley drop-front desk #729 – $2999, Santa Barbara CA
    • antique Stickley Bros. drop-front desk – $990, Pittsburgh PA
    • antique Stickley spindle-side/back loveseat or settle – $700, Brooklyn NY
    • two contemporary Stickley octagonal stained-glass lampshades – $125, Portland OR
    • contemporary Stickley "butterfly top" dining table – $1200, Portland OR
    • antique L & JG Stickley 4-drawer dresser – $800, Portland OR
    • contemporary Stickley bookcase etagere – $1000, Tucson AZ
    • contemporary Stickley buffet / glass-front china cabinet – $3500, Minneapolis MN
    • contemporary Stickley tile-topped endtable – $750, Minneapolis MN
    • contemporary Stickley coffee / cocktail table – $700, Minneapolis MN
    • contemporary Stickley Harvey Ellis-design rocker with inlay – $350, Asheville NC
    • antique red-label Stickley rocker – $450, Walden NY
  • Alfred Faber, Portland architect

    James Heuer has put together several SmugMug photo galleries, including one on homes built by Portland-area architect Alfred Faber, who was active as a residential designer from 1904 to 1917. I stumbled across that gallery this morning, and was struck by the level of detail and the tight symmetrical grids that Faber seemed to enjoy. I was very surprised that he dropped off the map, as it were, after moving to Los Angeles for a very early retirement, right when these elements were very much in demand by builders throughout the Los Angeles area.

    The M. B. Nease House is a particularly attractive example of Faber’s work, with all kinds of attractive woodwork – builtins and other architectural detail – still intact.

  • news roundup, July 2007

    Several bits & pieces of interest to old-house aficionados, rehabbers and others interested in A&C:

  • Frank Lloyd Wright in Buffalo: a podcast conversation with Neil Levine

    Caroly Batt with the Buffalo-Niagara Convention & Visitors Bureau writes to tell us about a very interesting podcast:

    Harvard University professor and noted Frank Lloyd Wright
    Scholar and author Neil Levine recently discussed Wright’s important
    architectural contributions to the Buffalo area. Buffalo is the home to many acclaimed Wright
    achievements including the Darwin Martin House Complex and Graycliff
    Estate
    . The interview is available
    as an audio podcast on the Wright Now in Buffalo website.

  • Squak Mountain Stone: recycled fibrous-concrete countertops

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    There are several different commercial formulations of concrete on the market for countertops, flooring and other interior architectural uses. Some are aerated or mixed by varying but mostly-similar techniques, some are molded or installed in different ways, and some are aerated, or treated with dyes or special sealants. But one in particular is as attractive as real stone, is made in a range of mineral shades and has a natural texture from inclusions such as recycled paper, glass and coal fly-ash.

    Squak Mountain Stone’s fibrous-cement material is beautiful and just as visually appealing as real stone – but it’s a truly environmentally-friendly countertop that makes great (re)use of some otherwise-ignored ingredients. It is available both in slabs and as tiles, and the maker is happy to work with clients on custom applications and mixtures. In that respect, it’s even more appealing than real or manufactured stone!

    According to developer and owner Ameé Quiriconi, the ingredients list reads like a how-to book for those interested in establishing a truly green, environmentally-friendly business:

    • Fly-ash is generated at a Washington-state coal-fired electrical generation facility. It’s collected and bagged for sale in Seattle.
    • The mixed waste paper comes from a small home-based document destruction business staffed by four young women with developmental disabilities (with the help of a job coach and the women’s parents.)This business is located in Issaquah, WA.
    • The recycled glass is mainly waste from local window manufacturers that is collected and processed by a local glass recycling company.

    We’ve put together a whole Flickr album of high-res images showing the product in use – if you are planning a kitchen or bath remodel, you really should take a look at this material before you finalize your countertop material plans.

    It is available from retailers up and down the west coast, including Green Sacramento, Ecohome Improvement in Berkeley, Greenspace in Santa Cruz, Eco Design Resources in San Carlos as well as EcoSpaces in Telluride, Colorado.

  • Frank Lloyd Wright & the house beautiful

    From June 28 through October 8, the Portland Museum of Art is presenting a new exhibit showcasing "Frank Lloyd Wright’s passion for creating a new way of life for Americans through architecture."

    In particular, the exhibition focuses on his legendary skill in
    creating harmony between architectural structure and interior design
    while fulfilling the needs of a modern lifestyle. Featuring
    approximately 100 objects, the exhibition includes furniture,
    metalwork, textiles, drawings, and accessories from the collections of
    the Frank Lloyd Wright Foundation and other public and private
    collections. Curated by Dr. Virginia T. Boyd, professor at the
    University of Wisconsin-Madison, Frank Lloyd Wright and the House
    Beautiful conveys the methods through which Wright implemented the
    philosophy of the “house beautiful.” The exhibition explores how Wright
    sought to develop a modern interior reflective of a uniquely American
    spirit of democracy and individual freedom, illustrates his development
    in integrating the space with furnishings and architectural elements,
    and shows his experiments with bringing these ideas to the homes of
    average Americans.

    Several podcasts and audio programs relating to the exhibit are also available:

  • the 24/7 open house

    Maureen Francis and Dmitry Koublitsky are real estate agents/brokers in Detroit who write regularly on local and national real estate-related topics. This article appeared on their blog last week:

    I’m not the only agent who has observed that there are fewer and
    fewer agents visiting homes during our weekly board of Realtors tours.
    These tours, typically on Tuesdays and Thursdays in Oakland County, are
    designed to invite Realtors to come through the new listings. There
    could be lots of reasons that attendance is fizzling. Certainly listing
    inventory is high right now. And it is summer, so is everyone taking a
    break. I don’t think so.

    But what can we do about the fall off in attendance?  Should we do anything?  The Birmingham Bloomfield Realtor Network
    has gone to truly elaborate ends since last November to coax agents in
    to our listings. Sponsors have given away lots of goodies, we served
    food, we’ve offered shopping. And the results have been good. But there
    is no way we could do this any more than once a month. It is too labor
    intensive, and if it were done more frequently people would stop
    showing up, because it would become ordinary.