• Broken Antique Window Glass?

    Learn How to Replace It With Historically Accurate Restoration Glass®

    thanks to Renee Rosiak & Bendheim for this submission

    Owners of historic homes and buildings take great pride in their antique window glass. With its occasional wave, bubble, and characteristic imperfections, it testifies to the history of an old structure or a piece of furniture, exuding the charm and character of by-gone days.

    The making of window glass began in the 7th century with the development of mouthblown Crown glass. The 11th century saw the invention of the Cylinder glass method of producing mouth-blown antique window glass, first developed in Germany. Today, Cylinder and Crown glass are two types of authentic, mouthblown antique window glass found in fine American homes and buildings built from the 17th to early 20th centuries.

    When old window glass is broken or damaged, people often go to great lengths to find a perfect match in order to preserve the historical integrity of a home or building. Finding the right glass can pose a significant challenge, considering the relatively wide-spread production of antique window glass ended after the invention of the first mechanical method for “drawing” glass, to be later followed by today’s ubiquitous “float” glass.

    Window glass salvaged from another old building can be one replacement option. However, it can often be challenging to remove it from its old frame, cut it to the required size, and clean it.

    An excellent alternative is to purchase cut-to-size “new antique” window glass made today utilizing the same techniques and tools used to make mouth-blown glass centuries ago. Authentic Restoration Glass®, produced at Germany’s Glashütte Lamberts, is crafted by skilled glass masters. The factory has preserved the mouthblown production methods through generations, guaranteeing the historic accuracy of this glass. As a testament to its authenticity, Restoration Glass is found in our country’s most prestigious restorations, including the White House, George Washington’s Mount Vernon home, and Thomas Jefferson’s Monticello.

    view through regular glass window with no restoration

    view through regular glass window with no restoration

     

    view through Light Restoration Glass® window
    view through Light Restoration Glass® window

     

    view through Full Restoration Glass® window
    view through Full Restoration Glass® window

    To match precisely the original structure’s time period or the desired glass appearance, homeowners can select one of two varieties of Restoration Glass – “Full” or “Light.”

    Full Restoration Glass is more distorting and accurately represents antique window glass made in the 17th and 18th centuries. Its distinct, somewhat “wavy” appearance makes it an excellent choice for colonial-style windows, antique and reproduction furniture.

    Light Restoration Glass is less distorting and is an excellent match for glass found in structures built in the 19th and early 20th centuries. Its slight distortion is more pronounced when viewed from a distance, in reflected light, and over a large area, making it ideal for use in windows and doors.

    If uncertain about the appropriate amount of distortion, homeowners can request samples from Bendheim or send a piece of the original glass to the company to determine the best possible match.

    “New antique” window glass offers additional advantages to homeowners by blending historically accurate aesthetics with modern capabilities and standards. Today, Restoration Glass can be laminated with a special resin interlayer to provide an impact-resistant safety glass, which will remain in place if broken, as well as provide enhanced sound control. Current building codes require safety glass to be installed in doors and sidelites, among others.

    To restore a damaged old window and replace its broken glass, homeowners can hire a glass installation professional or do it themselves. Those with the skill to complete the installation on their own will benefit from the following tools: protective gloves and goggles,  heat gun, putty knife, glass cutter, framer’s point gun, pliers, primer or shellac, glazier’s points, Calcium Carbonate (“whiting”), paint brush, and paint.

    The steps below and an instructional video (featuring the restoration of Martha Stewart’s 1805 farmhouse window) will demonstrate how to replace broken antique window glass.

    • Safety first. Put your protective gear on.
    • Remove the window sash and place it on a table or other flat surface.
    • With a heat gun, warm and soften the old putty so that it can be easily removed. Be careful not to burn the wooden sash.
    • Remove the old putty with a putty knife, taking care not to damage the frame.
    • Cleaning out the putty will expose the old glazier’s points. Pry the glazier’s points up.
    • Run the glass cutter diagonally over the glass pane twice creating an X.
    • Gently tap the glass from underneath to break it into pieces that can be easily removed.
    • Remove the old glazier’s points with pliers.
    • Clean and scrape out the remainder of the old putty from the cleared glass channel.
    • After ensuring the window surface is dry, paint the channel with a primer or shellac. Note that regular primer dries in approximately two hours; shellac dries in approximately 10-15 minutes.
    • After the primer or shellac is dry, place new putty inside the channel.
    • Gently press a new glass piece into the opening. Squeeze the putty down by carefully applying even pressure on all four sides of the glass, ensuring a snug fit.
    • Use a framer’s point gun or a putty knife to install one or more glazier’s points in each of the four sides of the opening. The glazier’s points will secure the glass in place.
    • When using the putty knife, gently rock the glazier’s points back and forth until they are properly seated in place.
    • Press more putty around the edges of the glass panel.
    • Using the putty knife, flatten the putty to ensure a snug fit.
    • Place the putty knife at a slight angle in one corner of the glass and run the knife along the side to remove extra putty. Repeat on all four sides.
    • Take a small amount of “whiting” and spread it on the glass. Use a soft brush to rub the whiting on the glass and putty to remove excess oils, then gently clean it off.
    • Wait approximately two weeks for the putty to dry before re-painting the window.

    Good luck with your restoration project! Please view the instructional video at www.restorationglass.com for additional tips and information.

  • this month’s ebay finds

    Plenty of interesting furniture, metalwork, glass & more on Ebay this month, with more than the usual number of small gift items available:

  • Jay Curtis: “ArtGlass & Metal” in the Arts & Crafts tradition

    Jaycurtisglassclose
    Jay Curtis is a craftsman specializing in etched glass and metal, and his techniques include "water-jet cutting, hand painting, airbrushing, leading, beveling and glue-chipping." His work ranges from the whimsical to the elegant, and much of it is very strongly influenced by the floral designs of the Arts & Crafts Movement.

    One recent line of products includes etched "special occasion" bowls, available for sale through the website.

    Photos of Jay’s more Arts & Crafts-influenced work are up in our art glass album on Flickr.

  • historic window workshop in Sacramento, CA

    Sacramento’s Sierra Curtis Neighborhood Association and the Sacramento Bungalow Heritage Association are fighting a winning battle against cheap, unsightly and – in the long run – inefficient and environmentally damaging vinyl, aluminum and composite windows. Their solution? Fix your old wooden windows before switching over to something that seems like a good deal – but actually isn’t.

    This coming October 6 and 7, they’re offering two workshops on the basic repair, maintenance, weatherization and repair of historic wood windows.

    Volunteer instructors from the community will demonstrate how they worked on their own windows, preserved the character of their historic homes, and saved their pocketbooks!  Historic windows were made to be taken apart and repaired, and with basic guidance, anyone can make their windows work as they originally did – with ease of operation and weather tight – and beautiful!

    We ran a short piece about these workshops and the woman behind them two years ago; again, much thanks to Janice Calpo not only for the heads-up, but more importantly for making Sacramentans aware of the benefits of our old homes’ original windows!

  • we’re #1 (for houseporn, at least)

    I noticed today that we were getting an awful lot of visitors who found us from Google searches for "houseporn." 200 today alone! After checking, I found that we were the number 1 result for this rather odd search term. Not that I’m complaining.

    So, to accomodate all of you, some very G-rated houseporn (my favorite kind):

    Houseporn

    This was created with BigHugeLabs’ neat Mosaic Maker. Too bad it doesn’t generate a clickable html/javascript mosaic!

    The photographers are as follows. Click on each link to see the original photo:

    1. Heintz Art Metal Collection, 2. details, 3. IMG 1431, 4. Detailed woodwork, 5. Our Dining Room, 6. Arts & Crafts door, 7. Secessionist style Art Glass Door, 8. Plinthy, 9. Roycroft Hanging Lantern, 10. MG 0447, 11. Rockridge – 30, 12. Kitchen Remodel – After, 13. Maybeck church

  • Preservation Brief 33: Historic Stained Glass

    I find that all of the National Park Service’s Preservation Briefs are interesting, and several have been especially useful in my own home repair projects; take, for instance, brief #33, which I had reason to consult this past month. It’s a general primer on historic stained glass, written specifically for those of us with stained glass windows or panels in our old homes and the need to either maintain or repair them. Neal Vogel & Rolf Achilles‘ essay on historic stained glass windows is full of extensive information on history, dating, identifying and documenting, composition (even going a bit into chemistry and other materials sciences issues), ways to halt deterioration, tips on photographing stained glass and various repair techniques. If you have stained glass in your home, you need to read this. And, like all the other briefs, it’s full of useful technical information but not written in an overly-technical style; it’s accessible, readable and (as always) interesting.