• Russ Billington: Arts & Crafts mottos from England

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    Russ Billington is an artist living and working in the village of Pimperne in Dorset, England. He’s recently begun producing a line of hand-drawn and painted mottos, as nice as anything I’ve seen from the Roycrofters and other great graphic artists of the Arts & Crafts Movement. Each is on 100% cotton Arches, and in addition to his stock of standards, he will also adapt or customize any motto of your choice. Russ takes personalized projects as well; do drop him a line if you have something unique in mind.

    Each piece is 8 x 12 on a sheet approximate 12 x 16 inches, and they start at US$125.

    For enquiries in the US and Canada, contact David Ford at fordcraftsmanonline.com. To contact Russ for a custom project, email russlisa2@yahoo.co.uk.

  • Preservation Brief 33: Historic Stained Glass

    I find that all of the National Park Service’s Preservation Briefs are interesting, and several have been especially useful in my own home repair projects; take, for instance, brief #33, which I had reason to consult this past month. It’s a general primer on historic stained glass, written specifically for those of us with stained glass windows or panels in our old homes and the need to either maintain or repair them. Neal Vogel & Rolf Achilles‘ essay on historic stained glass windows is full of extensive information on history, dating, identifying and documenting, composition (even going a bit into chemistry and other materials sciences issues), ways to halt deterioration, tips on photographing stained glass and various repair techniques. If you have stained glass in your home, you need to read this. And, like all the other briefs, it’s full of useful technical information but not written in an overly-technical style; it’s accessible, readable and (as always) interesting.

  • Arts & Crafts gems shine in Berkeley’s velvet hills

    I was going through SFGate.com’s home section archive and found this great piece by R.W. Apple, Jr. (the New York Times‘ architecture critic), originally published in that paper in 2003:

    "Westward the course of empire takes its way," wrote the 18th century
    Irish philosopher Bishop George Berkeley, so the 19th century founders of a
    little city directly across the bay from San Francisco, almost at the western
    extremity of the American empire, chose to name it after him.

    Many famous men and women have walked its streets — Ernest O. Lawrence,
    the remarkable physicist who invented the cyclotron; Clark Kerr, who helped
    develop the nation’s best statewide system of higher education; Mario Savio,
    the leader of the radical Free Speech Movement during the turbulent 1960s; and
    in our own day Alice Waters, arguably the nation’s greatest restaurateur.

    Another — too little known, at least beyond Northern California — is the
    architect Bernard Maybeck, a precursor of the modern movement like Otto Wagner
    in Vienna, Charles Rennie Mackintosh in Glasgow, Victor Horta in Brussels and
    the brothers Charles and Henry Greene in Pasadena.

    Much that he saw and so brilliantly succeeded in grasping still stands
    today in Berkeley, on and near the campus of UC Berkeley and in the hills
    above it, in the north side neighborhood where Maybeck lived for most of his
    life (1862-1957). More than anyone else, he made Berkeley one of the nation’s
    architectural treasure-troves.

    read the whole thing

  • Tokyo’s Nihon Mingeikan & Mingei’s relationship to Arts & Crafts

    Japan’s Daily Yomiuri includes an English-language edition, and a recent issue includes a short article by Robert Reed on Tokyo’s Nihon Mingeikan, a small museum celebrating Mingei crafts and the life and work of Soetsu Yanagi, the founder of the Mingei movement. Mingei is sometimes associated with the Arts & Crafts movement by art historians who note both its chronological proximity to European A&C and its similar philosophical underpinnings (the recent International Arts & Crafts show, which originated at the Victoria & Albert and was at San Francisco’s De Young Museum in the middle of 2006, included a model room based on Mingei crafts and made a strong case for that movement’s inclusion as part of the ‘International Arts & Crafts’ milieu).

    From the museum’s website:

    Located
    in Tokyo, the Mingeikan Museum is housed in a beautiful traditional
    Japanese building completed in 1936. Founded in the same year, the
    Mingeikan has over 17,000 items in its collection made by anonymous crafts people mainly from Japan, but also from China, Korea, England, Africa, and elsewhere.

    Yanagi Soetsu
    (1889-1961), the first director and founder of the Museum, coined the
    term Mingei (folk art) in 1926 to refer to common crafts that had been
    brushed aside by the industrial revolution. Yanagi and his lifelong companions,
    the potters Bernard Leach, Hamada Shoji, and Kawai Kanjiro, sought to
    counteract the desire for cheap mass-produced products by pointing to
    the works of ordinary crafts people that spoke to the spiritual and
    practical needs of life. The Mingei Movement is responsible for keeping alive many traditions.