architecture

  • Squak Mountain Stone: recycled fibrous-concrete countertops

    Squakcounter

    There are several different commercial formulations of concrete on the market for countertops, flooring and other interior architectural uses. Some are aerated or mixed by varying but mostly-similar techniques, some are molded or installed in different ways, and some are aerated, or treated with dyes or special sealants. But one in particular is as attractive as real stone, is made in a range of mineral shades and has a natural texture from inclusions such as recycled paper, glass and coal fly-ash.

    Squak Mountain Stone’s fibrous-cement material is beautiful and just as visually appealing as real stone – but it’s a truly environmentally-friendly countertop that makes great (re)use of some otherwise-ignored ingredients. It is available both in slabs and as tiles, and the maker is happy to work with clients on custom applications and mixtures. In that respect, it’s even more appealing than real or manufactured stone!

    According to developer and owner Ameé Quiriconi, the ingredients list reads like a how-to book for those interested in establishing a truly green, environmentally-friendly business:

    • Fly-ash is generated at a Washington-state coal-fired electrical generation facility. It’s collected and bagged for sale in Seattle.
    • The mixed waste paper comes from a small home-based document destruction business staffed by four young women with developmental disabilities (with the help of a job coach and the women’s parents.)This business is located in Issaquah, WA.
    • The recycled glass is mainly waste from local window manufacturers that is collected and processed by a local glass recycling company.

    We’ve put together a whole Flickr album of high-res images showing the product in use – if you are planning a kitchen or bath remodel, you really should take a look at this material before you finalize your countertop material plans.

    It is available from retailers up and down the west coast, including Green Sacramento, Ecohome Improvement in Berkeley, Greenspace in Santa Cruz, Eco Design Resources in San Carlos as well as EcoSpaces in Telluride, Colorado.

  • Floorplanner.com – the single most awesome thing I’ve seen all week

    I guarantee you will be as hooked on this as I am. Floorplanner takes those mediocre house-plan / design packages out there (including the really crummy online, browser-specific, super-crashy versions like Home Despot’s) and puts them all to shame. First of all: it works. All the time. In every browser I’ve tried it in. It’s fast, colorful, has an enormous number of colors and patterns available, lots of furniture, easy wall / door / window / angle drawing tools, and it’s just so much darn fun! Plus they are constantly adding new tools and objects. Play with it and email me your best Craftsman creations – I’ll put them up on Flickr!

  • restored Indianapolis bungalow sparkles

    Bilde
    Abe Aamidor has a short piece in this weeks’ Indianapolis Star on the recent restoration of a 1920 Arts & Crafts home in that city’s Southside neighborhood.

    This Southside Arts and Crafts home looks much the way it did when it welcomed its first family in 1920.

    The one-story bungalow has the same yellow bricks
    and clapboard siding painted in period Rookwood antique gold, and even
    the original wood storm windows and storm doors have been retained, or
    faithfully restored where necessary.
    This is neither McMansion nor artifact of some famous, long-dead architect.
    But
    it is everything home ought to be, says Paul Krasnovsky, director of
    choral activities at the nearby University of Indianapolis, who has
    owned the property for more than 20 years.
    Yet he didn’t always feel that way.
    "When I first looked at this house, I didn’t want to buy it," said the divorced father of two.
    "The previous owner had layers of drapes on the windows. It was so dark and constrictive. And the carpets just smelled."
    Even
    worse, an earlier owner had cut down the bottoms of several interior
    doors so they could clear the thick shag carpeting she had installed.
    Krasnovsky ripped out all the carpets and was pleasantly surprised to
    find original wood flooring in good condition underneath.

    photograph by Gary Moore for The Star

  • saving historic Seattle bungalow a “no-brainer”

    reader Keith Harrison forwards this article about a fellow preserving some of his own neighborhood’s character by saving an historic 1917 Craftsman home that was slated for demolition. Nicole Tsong has the full story at the Seattle Times; here’s a short excerpt:

    Frank-Michael Rebhan was not looking for a new house when he walked his dog past 6317 Phinney Ave. N. in late January.

    He already owned a small house a few blocks away. But this
    sandy-gray beauty was a 1917 Craftsman-style home with leaded
    stained-glass windows, dark wood built-ins and box-beam ceilings. And a
    notice said it was slated for demolition.

    Rebhan had an outlandish idea: What if he saved the home by moving it to his own lot?

    Rebhan hadn’t even been inside yet, but the 37-year-old quickly did some intense calculations. He added up costs for moving the house, demolition of his own home, excavation and the other issues involved in moving a house.

    He figured out how much it would add to his current mortgage and realized: "It’s a no-brainer."

  • Minneapolis neighborhoods profiled in new book

    A recent article by Ellen Tomson in Minneapolis’ Pioneer Press describes local historian and author Larry Millett’s research and subsequent book on Minneapolis’ historic neighborhoods. excerpt:

    Larry
    Millett biked the streets of St. Paul and Minneapolis for three summers
    to produce his latest book, (the) AIA Guide to the Twin Cities, the first
    major neighborhood-by-neighborhood handbook of its kind.

    But the foundation of his 665-page book was decades of
    research and writing about the Twin Cities, first as a Pioneer Press
    reporter, columnist and critic, and then as author of Lost Twin Cities, Twin Cities Then and Now, and Strange Days, Dangerous Nights, all which focused on local structures and events.

    "The book is the result of three years of work and, in a sense,
    it’s the work of a lifetime since I’ve worked here all my life," says
    Millett, 59, who grew up in North Minneapolis and has spent much of his
    adult life in St. Paul.

  • Arts & Crafts gems shine in Berkeley’s velvet hills

    I was going through SFGate.com’s home section archive and found this great piece by R.W. Apple, Jr. (the New York Times‘ architecture critic), originally published in that paper in 2003:

    "Westward the course of empire takes its way," wrote the 18th century
    Irish philosopher Bishop George Berkeley, so the 19th century founders of a
    little city directly across the bay from San Francisco, almost at the western
    extremity of the American empire, chose to name it after him.

    Many famous men and women have walked its streets — Ernest O. Lawrence,
    the remarkable physicist who invented the cyclotron; Clark Kerr, who helped
    develop the nation’s best statewide system of higher education; Mario Savio,
    the leader of the radical Free Speech Movement during the turbulent 1960s; and
    in our own day Alice Waters, arguably the nation’s greatest restaurateur.

    Another — too little known, at least beyond Northern California — is the
    architect Bernard Maybeck, a precursor of the modern movement like Otto Wagner
    in Vienna, Charles Rennie Mackintosh in Glasgow, Victor Horta in Brussels and
    the brothers Charles and Henry Greene in Pasadena.

    Much that he saw and so brilliantly succeeded in grasping still stands
    today in Berkeley, on and near the campus of UC Berkeley and in the hills
    above it, in the north side neighborhood where Maybeck lived for most of his
    life (1862-1957). More than anyone else, he made Berkeley one of the nation’s
    architectural treasure-troves.

    read the whole thing

  • Small Houses and the Question of Need

    Carol Lloyd has a good article at SFGate (the San Francisco Chronicle‘s site) on extremely tiny homes:

    Down a rambling residential road on the outskirts of Sebastopol, the dream house sits like a testament to discriminating taste.

    This dream house is the love child of artist-builder Jay Shafer,
    who lovingly hand-crafted it. The stainless-steel kitchen, gleaming
    next to the natural wood interior, is outfitted with customized storage
    and built-ins. From his bed, Shafer can gaze into the Northern
    California sky through a cathedral window. In his immaculate office
    space, a laptop sits alongside rows of architectural books and
    magazines — many featuring his house on the cover. And from the
    old-fashioned front porch, he can look out on a breathtaking setting:
    an apple orchard in full bloom.

    But in an era when bigger is taken as a synonym for better,
    calling Shafer’s home a dream house might strike some as an oxymoron.
    Why? The entire house, including sleeping loft, measures only 96 square
    feet — smaller than many people’s bathrooms. But Jay Shafer’s dream
    isn’t of a lifestyle writ large but of one carefully created and then
    writ tiny.

    Read the whole thing.

  • Greene & Greene properties: a map

    So, I’ve created a map – using social-mapping tool Platial – of all the existing Greene & Greene properties I’ve been able to find record of. I’ll also be adding a new layer of no-longer-standing Greene & Greene projects, but that’s a few weeks off.Take a look, and let me know if you like this style of map and if the tool is easy to use; if so, I’ll revive our Craftsman Home Registry (above) using this, so you can all add your own homes.

  • Arts & Crafts sketches and doodles

    Our friend Michael Joyce of the always-illuminating Historic Omaha website / blog is addicted to American Bungalow magazine. So much so that he takes extensive notes and doodles many things he sees & loves in that magazine. Take a look at his extensive Flickr set of these sketches, and some of my personal favorites: