architecture

  • Fire Destroys Frank Lloyd Wright Prefab

    Flw_prefabfrom Archinect, via the always interesting Treehugger:

    In 1911 Frank Lloyd Wright worked with the Richards Company to develop
    the American System of Housing, based on ideas he learned in Japan.
    "Wright further innovated the A.S.B. line through the use of
    pre-milled, machine made materials. The pre-cut materials, such as
    framing, joists, millwork, cabinets, and doors, were of a
    "standardized" character which literally permitted the use of these
    items throughout the A.S.B. line. In addition, as being made by
    machine, the pre-milled materials were insured to possess an overall
    consistency, quality, and longevity that on-site carpentry could not
    achieve." Not many were built; World War One interfered. Today one of
    the very few remaining, the Wynant house, burned down.

  • Frank Lloyd Wright’s Only Skyscraper

    Pricetoweratnight from the press release:

    BARTLESVILLE, OK – Described by its creator as “The Tree that Escaped the Crowded Forest,” the Price Tower (click link for a selection of images from Flickr) was visionary in its time – and remains relevant today – as Frank Lloyd Wright’s only skyscraper.

    First imagined in the 1920s for a New York site, St. Mark’s-in-the-Bouwerie, then redesigned and built on the Oklahoma prairie for the H. C. Price Company, the Price Tower realized one of Wright’s cherished ideals: integrating office, commercial and residential space within a tall, richly decorative structure whose cantilevered floors “broke the box” of conventional construction. Since completion in early 1956, the Price Tower has been listed on the National Register of Historic Places, praised by architect Tadao Ando as “one of the most important buildings of the 20th century” and transformed into the home of Price Tower Arts Center as the centerpiece of the museum’s permanent collection.

    Now, to mark the building’s 50th anniversary, the Arts Center will present a major exhibition, Prairie Skyscraper: Frank Lloyd Wright’s Price Tower. With an  installation designed  by  the Pritzker Prize-winning architect Zaha Hadid,  the exhibition will be on view at the Arts Center from October 14, 2005 to January 15, 2006, followed by a two-city tour. (emphasis added – JLT)
    photograph by Christian M. Korab

  • Does your home fit your community?

    Jim Muir is the chief building official in Clark County, Washington (which stretches from the Oregon Border – and the county seat in Vancouver – up along the western border of Washington north of Amboy, Yacolt and Chelatchie Prairie). Obviously, issues of permitting and compliance with local ordinance take up a lot of his time. But Clark County, like some other enlightened municipalities around the country, is especially sensitive to preserving the aesthetic character of its neighborhoods – both new and historical. Thus, Mr. Muir wrote the following article for The Columbian, Vancouver’s newspaper, and was very happy to share it with us. I hope you find it as useful and interesting as I did:

    “Always design a thing by considering it in its next larger context – a chair in a room, a room in a house, a house in an environment, an environment in a city plan.”
        — Architect Eliel Saarinen

    It is very easy to watch a community develop with no noticeable connection to its surroundings or history. Many of us yearn for a greater sense of place in modern life, but we often do not take the time to truly consider contributing to that cause. One way to create a greater sense of place is to consider “fit” in the remodeling, design, and furnishing of your own home. You can influence visitors, neighborhoods, and, ultimately, the community.

    The architect Frank Lloyd Wright said it this way: “True ornament is not a matter of prettifying externals. It is organic with the structure, it adorns whether a person, a building, or a park.”

    Wright also preached about the beauty of native materials and insisted that buildings grow naturally from their surroundings. “Whether people are fully conscious or not, they actually derive countenance and sustenance from the ‘atmosphere’ of things they live in or with,” he said. “They are rooted in them just as a plant is in the soil in which it is planted.”

    We thrive in the uniqueness of our locale.
    There are building techniques and materials that reflect the environmental conditions and history of the Northwest. Your home may have cedar siding and cedar fences designed to resist the wet weather, but those materials blend (are organic) to the surroundings as well.

    The Academy building in Vancouver was built with bricks from the locally famous brickyards of Lowell Hidden. Local parks often feature Basalt stones from nearby quarries. Fir floors and Hidden bricks were used in many local homes, and some have plaster walls made with the hair of horses and other animals dating back to Clark County’s rich agricultural heritage. The La Center library is housed in an old hospital building, which was strengthened to support the weight of the books by huge beams made from fir trees felled on site.

    Interior design can also include elements of regional significance. Distinctive designs of the Northwest Native Americans can be found in fabrics, carvings, and paintings. The Pendleton Woolen Mills produces many items incorporating these themes. Art that captures the Northwest spirit is used widely by local and regional artists.

    Vintage houses are a reflection of varied influences
    Trends in fashion, industry, and politics become embodied in our homes. Many of Clark County’s vintage homes reflect elements of the Craftsman style of architecture that puts an emphasis on personal craftsmanship and natural, local materials. The Craftsman movement was a reaction to the industrialism and mass production of many Victorian styles with their abundant use of mass-produced ornamentation.

    Vancouver has a few houses built in the Second Empire Style such as the Charles Brown House at 400 W 11th Street and a couple along Officers Row. In 1851, French Emperor Charles Louis Napoleon and his wife, Eugenie, had a sense of flair that spread through Europe and, later, the world. The flair of this Second Empire French style thus reached houses built in Clark County.

    It is important to recognize the original design integrity of your house when undertaking any rehabilitation. Modern appliances, a safe electrical system, and other fire and life safety elements are necessary. However, there are architectural elements of a house that, when altered without due consideration, may compromise the home’s style. 

    Wright declared. “Consistency from first to last, will give you the result you seek and consistency alone.” Wright was, however, a proponent of newness and use of technology and felt that by itself, consistency would kill creativity.

    The responsibility then appears to be to understand what you have and creatively incorporate change to maintain a proper fit and feel. A lesson would be the ill-conceived installation of wall-to-wall shag carpeting over beautiful hardwood floors in the 1970s. This goes back to the advice by Saarinen that each part of our community, including our homes, should be considered in the proper context.

  • FLW Cottages vs. Hurricane Katrina

    Charnleyfrom Preservation Online:

    Three months ago, Katrina’s storm surge swept a
    Frank Lloyd Wright-designed cottage in Ocean Springs, Miss., off its foundation, destroying one of its wings and damaging most
    of the rest.

    Now the 115-year-old beachfront bungalow, part of a National Register Historic District, is facing a final blow:
    A FEMA-hired engineering firm has declared the Charnley Cottage and its octagonal guest cottage "not reasonably restorable," which means FEMA could demolish the houses in the next few months.

    contact the Frank Lloyd Wright Building Conservancy if you are able to help.

  • Grandview Bungalow at Colorado’s Chautauqua

    Grandviewfrontporch036Niki Hayden has a short article in Front Range Living on Bungalow 811, which was relocated from the University of Colorado campus to the Chautauqua community in Boulder recently and fits in perfectly with the other brown & white homes there. The structure itself held up remarkably well from the quick move, which took place from 1 to 3 am not log ago, but has seen a serious internal (and external) overhaul since then. Local designer Dorothy Tucker got the job of designing a period-perfect interior to match the others in the community, a task which she discharged quite well. The total cost of moving and renovating the bungalow came to $200,000 – a number impressively low when you see the amount of work put into the almost all-new interior. Boulder-based ceramicist Sue Walsh produced the original tiles – loosely based on Batchelder designs – which are a perfect fit for the rest of the inside.

    The bungalow itself is available for rent to Boulder visitors, and opens to a wonderful view and a number of nearby hiking trails.

  • Frank Lloyd Wright home at auction

    Schaberg_newOkemos, Michigan: Schaberg House, an especially well-preserved and unaltered example of Wright’s Usonian style built in 1950, will be sold off along with its accompanying large parcel of land on November 30. Oak Brook-based Inland Real Estate Auctions will handle the auction; bidding will begin at $595,000, and a deposit of $75,000 is required to bid.

    Schaberg House is a 3,800 sq ft, 5 bed, 4 bath home which has had next to no alteration from Wright’s original drawings. One small addition was made in 1964 by Wright’s apprentice, John Howe; its pristine and original condition could make seeking landmark status quite easy, should the new owners wish to pursue this option.

    Frank Diliberto, Inland Real Estate’s president, says that "Wright enthusiasts have turned out in vast numbers to consider bidding
    on the two Wright homes we’ve auctioned. They are
    finding that the auction process is a tremendous way to establish
    quickly the true value of Wright homes, which because of their
    uniqueness have long been extremely hard to value. This has strong and
    increasing appeal to Wright homeowners, who often have to market their
    homes for years on the conventional market in order to identify the
    value that the auction establishes in just one day."

    The five-acre site is almost completely surrounded by 150 acres of natural woodland; while the site may be particularly attractive to developers, nobody is suggesting that the house itself, which is in excellent condition, be removed or torn down to make room for other structures.

  • Historic Homes in the News

    A quick roundup of historic Arts & Crafts homes in the news:

    • the St. Petersburg Times reports on preservation efforts in Old Seminole Heights;
    • homeowners are asked to give a second thought before tearing down historic homes damaged by the flood in New Orleans and elsewhere;
    • a couple builds a period-perfect brand-new Craftsman bungalow in Flint, MI;
    • The Delaware News Journal profiles log homes across the country – mostly rustic craftsman-styled mountain cabins – in this article;
    • the New Bern, NC Sun Journal lists 32 stops on their upcoming historic African-American home tour, to take place on November 20; and
    • the Fort Wayne Journal Gazette takes a look at Thom and Leslie Beers’ "neo-Japanese Craftsman" house and the art collection it contains.

    Have you seen an article on historic home or A & C related issues in your local paper? Let us know!

  • The Wallen Maybeck House

    2751_buenavistalivrm320

    Bernard Maybeck’s Wallen house, at 2751 Buena Vista Way in Berkeley, California, is for sale. Agent Norah Brower (with Berkeley Hills Realty) has the 1,700 square foot house on a 7,900 square foot hillside lot listed for $1,050,000 (3 bedrooms, 1.5 baths, a potting studio, plus basement and garage). As with most Maybeck homes, this particular house is full of beautiful hand-hewn and lovingly-assembled detail. From the flyer:

    After Maybeck’s large family house on Buena Vista burnt down in 1923, it was never rebuilt, nor did he build another large house for his family. Instead, over the following years, he and his family built several cottages all in the same neighborhood, some on the site of his original house. Maybeck had purchased large parcels of land in the North Berkeley hills and 2751 Buena Vista was one of two houses, essentially the same design but rearranged to fit the site, that he designed and built during the depression to keep his staff and craftsmen working. Over the years, various family members moved in and out of their 8 different houses, all cotages except for "Hilltop" in Kensington. 2751, however, seemed to be the heart of the extended family, where Ben and Annie lived for several years and to which Wallen, Jacomena and the twins eventually returned. It embodies many of Maybeck’s notions about what an ideal home should be; modest, free of adornment, well-integrated into its site, amidst the lush foliage and with views of the bay. The many decks extend the interior outside, the height of the living room, the arched beams and the floor-to-ceiling metal sash windows add drama, atmosphere and light.

    In more recent years, it has had a new foundation, drainage and retaining wall added (1998), a new furnace, electrical upgrades and a new roof and roof deck off the kitchen (2005). Jacomena wrote in her book, Maybeck, A Family View, that a workman told Maybeck "I believe you have put the house partly on the next lot," to which Maybeck replied, "Oh, well, move the lot line." This was finally done in 2004.

  • Old House Windows

    Janice Calpo, who lives not far from me in the great old Curtis Park neighborhood here in Sacramento, is the subject of an article in last weekend’s Sacramento Bee – "Seeing the Light: When it comes to windows, Janice Calpo praises restoration over replacement."

    SMUD, the community-owned utility here in Sacramento, has a long history of offering incentives for the installation of poorly made vinyl replacement windows, even when restored wooden windows would be longer-lasting and just as energy efficient. Unfortunately, many homeowners can’t take a longer view of the life of their home and opt for vinyl – hurting the value of their historic home in a market where authentically period means $$.

    Janice Calpo, who is otherwise polite, radiant and sweet-tempered, is
    the self-appointed "window czarina" of Curtis Park. No shard escapes
    her scrutiny.

    She is a champion of rippled glass, regards complex mullions as though
    they were the Elgin marbles, is a patient advocate for those
    sometimes-geriatric double-hung windows that open (if they open) and
    close (begrudgingly so) with a wheeze, or a rattle, or a sudden thump.

    In a world increasingly devoted to energy efficiency, reduced utility
    bills, whispering appliances, snug windows that speak Tuscan and obey
    with fingertip ease, hers is a one-woman crusade to keep the window
    faith, to let the true-divided light shine in.

  • DePape Associates Architects

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    DePape Associates is a small residential and commercial architecture firm located in Lake Forest Park, Washington, just north of Seattle. Their homes run the gamut, but their Craftsman influenced residences – brown-shingle Craftsman mountain cabins and rural homes (including one built to show off the owner’s amazing stained-glass collection); a castle-like Spanish Revival home in Belize; a rough-hewn English-style manor, complete with great hall – are where principal Dennis DePape’s strength lies.