architecture

  • house blogs in the Sun

    Our friends Jeanne and Aaron Olson of the Houseblogs empire are (part of) the subject of a recent Vancouver Sun article by Shelley Fralic on houseblogs. (Unfortunately, they didn’t bother to link any of the sites to the article, which pretty much ignores the entire point of the Internet.):

    For those who spend weekends stripping layers of paint off
    balustrades, or ripping up linoleum in dank bathrooms, there is an odd
    vocabulary that comes with restoring an old house.

    It has to do
    with money, and energy, and having both sucked right out of you, to the
    point you start mumbling wistful phrases like "whatever doesn’t kill me
    makes me stronger" and "no pain, no gain."

    It’s the kind of experience that, as most old-house renovators know, is best when shared.

    And these days, there’s no better place to spread that sweet misery than through an Internet blog.

    By
    way of definition, a blog is a contraction of the words web log. By way
    of popular culture, blogs are unedited stream-of-consciousness diaries,
    personal and very public, an on-line spillfest of emotions, opinion and
    subjective information.

    A good blog, of course, is like a good
    conversation. You have to work hard to find one because, like much of
    the nonsense on the Net, a blog can be a slog.

    Except if you’re an old-house junkie.

    Because then it doesn’t much matter.

    All
    that matters are the details being shared by the DIY blogger, from the
    diaries to the before and after photos, from the Q&As to the
    impossible projects, from the vendor lists to the advertising links to
    old-house hardware and restoration companies.

    The renovation blog
    is the new hands-on seminar, an intimate, honest, real-time
    encyclopedia of the triumphs and defeats of restoring a period home.

  • Pictorial History: Frank Lloyd Wright interiors

    our friend Mark Golding over at the Arts & Crafts Home has a wonderful page of photographs of Frank Lloyd Wright interiors – furniture, interior architecture and cabinetry, stained glass and much more. The images come from well-known and lesser-known properties; the Ennis, Dana and Stevens Houses (not to mention Taliesin!) and his Unitarian Church are represented, as well as the  Palmer House, Zimmerman House, Tonkins and May Houses, and plenty more.

  • Frank Lloyd Wright prefab saved from wrecking ball

    James G. Ferreri has a nice article in the Staten Island Advance on a house in the Lighthouse Hill neighborhood that’s been recently saved from destruction:

    Most of us detest wasting anything, whether it be our cell
    phone minutes, the last drop of milk in the container or,
    considering today’s sky-high prices, the gas in our
    car.

    Why, then, do we allow the waste of our irreplaceable
    buildings? Nearly every day, here in New York’s fastest
    growing county, buildings that never can be replaced are
    destroyed simply because they have no protection from
    predators.

    Fortunately, there are success stories. One unique home
    that has avoided the wrecking ball is "Crimson
    Beech," the home built by the late Catherine and
    William Cass on Lighthouse Hill. It is the only residence in
    New York City designed by Frank Lloyd Wright, and one of
    only two buildings the world-famous architect designed that
    is still standing in New York.

    There are two reasons for this building’s good
    fortune: The Cass family and the Landmarks Preservation
    Commission.

    Although Wright is perhaps best known for his residential
    projects for well-to-do clients, he also had an interest
    throughout his career in producing well-designed,
    moderately-priced housing. He believed that "the
    average American was entitled to a home that could also be a
    work of art."

    Wright knew that if this home maxim was to apply to the
    lower-income home, it would require either pre-fabrication
    or a systems-built method of construction. It meant, he
    explained, that the home would have to go to the factory,
    rather than the skilled labor coming onto the building
    site."

    read the whole article

  • Manka’s Inverness Lodge destroyed in fire

    Sad news: the main hall at Manka’s Inverness Lodge, one of California’s most spectacular hotels, was destroyed by a fire – caused by the high winds battering the Bay Area – yesterday. Manka’s was a beautiful and friendly place with one of the warmest and most comfortable dining rooms anywhere, a dark and intimate space built in the Arts & Crafts tradition with lots of gleaming wood. Luckily, nobody was hurt, but a number of pieces of Stickley were destroyed, as well as a number of original photographic prints by Dorothea Lange.

    The main hall of Manka’s Inverness Lodge, a historic Marin County hunting
    retreat that became a famed hub of gourmet cuisine, burned to the ground early
    Wednesday.

    The shingled structure, built in 1917 of ancient redwood in the Arts and
    Crafts style, was consumed by wind-whipped flames almost instantly after fire
    alarms went off around 2:40 a.m., according to witnesses. 

    "We went outside and then we saw the main building totally engulfed in
    flames,” said Linda Feldman, a visitor from Seattle who was staying in a next-
    door annex that was not damaged. "It was huge. Flames were coming out the
    windows.” 

    Investigators suspect the blaze started after winds sent a tree crashing
    into the lodge, damaging a water heater. The inn and restaurant is located on a
    bluff above Tomales Bay in the town of Inverness, about two hours north of San
    Francisco.

    There were no injuries. Eight guests in the four rooms above the
    restaurant narrowly escaped and lost most of their belongings in the two-alarm
    conflagration, which firefighters contained at 7:30 a.m. 

    Also destroyed were valuable furnishings, including pieces of furniture by
    Gustav Stickley, the early 20th century Arts and Crafts designer; photographs
    by Dorothea Lange; and a 17th century Parisian pharmacy cabinet recently
    installed in the entry.

  • Signature Style in the San Francisco Chronicle

    The San Francisco Chronicle, for its various failings as a source of unbaised and serious local reporting, has some of the best feature articles on architecture of any regional paper in the country. Especially worth reading are Dave Weinstein’s Signature Style columns on local architects and properties – often with a very strong Arts & Crafts bent. Here are several that most closely relate to Arts & Crafts homes and their builders in Northern California:

  • Charles “One Nail” MacGregor, Albany California

    Our friend Lotusgreen (of the Japonisme blog) tells us a bit about Charles "One Nail" MacGregor, a housebuilder in the Berkeley and Albany, CA area who was known for some very special marks he left on the homes he built: amazing chimneys, clinker brick, unique stucco patterns, Batchelder fireplaces, inlaid oak floors and – in the front and back yards – lemon trees and camellia bushes. Even when the realtor doesn’t know or chooses not to bill the house as a MacGregor, they still cost a pretty penny – one modest MacGregor, which had been in Charles’ family since it was built in 1926, recently sold for $639,000.

    While MacGregor considered himself "just a builder," he did design many of the houses himself, and all those he built are known for their sturdiness. He also collaborated with noted designer Walter W. Dixon, a master of the storybook style; they worked on a number of properties in the 1930s that remain some of the most interesting residential structures of the east bay.

    Even though many of his signature chimneys are long gone – the photo linked in the previous paragraph is one of the few left – and most of his lemons and camellias have been replaced, he lives on in dozens of homes in Albany and Berkeley, as well as in the name of Albany’s "continuation" high school, where several of my miscreant friends were relocated to when they had disagreements with Albany High’s teachers and administrators.

    The next time you are in the area, take a look at 1389 – 1391 Solano Avenue, which was MacGregor’s office. Dixon designed the Spanish-style building for MacGregor in the 1930s. Let us know if it’s still there, and if it is, take a picture for Hewn & Hammered!

  • Ask the Architect: How to expand our bungalow?

    The Fairfax (Virginia) County Times has a regular column by Bruce Wentworth, architect and principal at Wentworth Studio in Chevy Chase, where readers’ questions about their own homes and remodel issues and architecture in general are answered in detail. From the September 12 column:

    I own a classic 1,200-square-foot bungalow built in the mid-1920s and
    I want to remodel my rear-of-the-house kitchen as well as build a
    two-story rear addition that will include a new family room below and a
    master suite above. What are some architectural considerations that
    will help ensure the added space will appear to be a part of the whole
    … not merely tacked on?  – A.L., Vienna

    read excellent Wentworth’s response at the Times site.

  • an eco-home for the old-house set

    Bielimoodyredhouse

    The term "eco-house" usually conjures up images of concrete on hay bales in modernist or even brutalist forms, perhaps underground with grass on the roof and lots and lots of glass. Designer Stephen Beili doesn’t agree that an environmentally-friendly, well-situated home needs to look like that, though; he’s taken his love for the classic bungalow form and merged it with all the advantages of a contemporary green-built home.

    This 1,400 square foot bungalow in Asheville NC, winner of a 2006 Griffin Award for  preservation – somewhat ironic, since this is a new and not rehabilitated structure – is, on the outside, a perfect wide-eaved Craftsman bungalow. On the inside, though, it is open, modern, bright and specially constructed using environmentally-friendly techniques and products to have as little impact on the environment as possible. It is also a bit different in scale, inside, than most homes that it might otherwise resemble: much of the house – counters, doorframes, stairways – have been built specifically to accomodate its owners 6′ 8" stature.

    The house was built by James Moody, president of Asheville’s Ecobuilders, whose portfolio is a wonderful example of how the classic designs and motifs of the Arts & Crafts movement can be a perfect complement for a modern eco-house. via This Old House. photographs copyright Ecobuilders.